Malayalam movie has something for everyone, but can the same be said of Bollywood?

 From rootedness and the overflow of unique substance to chiefs featuring films rather than makers and entertainers, we should look at why individuals continue to incline toward Malayalam film like honey bees to honey rather than its enormous Hindi partner.

Priorities straight, this isn't an endeavor to push the progressing "Malayalam film incomparability!" crusade any further. This is a greater amount of a work to fathom why individuals continue to incline toward it like honey bees to honey rather than its gigantic Hindi partner.

Indeed, even as Bollywood, one of the biggest film organizations on the planet, is having a seriously difficult time, its provincial companions, particularly Malayalam, are faring nearly better, albeit the pandemic and consecutive lockdowns cast a long shadow on all businesses the same.

While even the most-expected large spending plan Bollywood films are turning film industry bombs, Malayalam film is concocting both monstrous and limited scope films and prearranging history. The new achievements of Bheeshma Parvam, Hridayam, Jana Gana Mana, Bro Daddy, Nna Thaan Case Kodu, and Thallumaala show something very similar.

In any case, making presumptions dependent exclusively upon film industry execution would be crooked given that a Bollywood film costs essentially more to deliver than a Malayalam film.

While the most costly Malayalam film to date is Priyadarshan's Marakkar: Arabikadalinte Simham (2021) with a spending plan of Rs 100 crore, Kabir Khan's 83, delivered that very year, was made for over Rs 250 crore. And still, after all that, 83 was not the most costly Bollywood film ever - which underlines the dissimilarity.

Notwithstanding, it can't be rejected that Bollywood and its anticipated way of filmmaking aggravate the watchers. The plague has advanced to where even big names find it hard to prevail upon their supporters. The new difficulties looked by Aamir Khan, Akshay Kumar, Ranbir Kapoor, and numerous others highlight the requirement for Bollywood to go through a huge change.

Having said that, it must be referenced here that Malayalam film also is confronting a devastating emergency with an enormous number of movies floundering in the cinematic world. The Kerala Film Chamber of Commerce (KFCC), in July, expressed that main seven out of 77 movies that delivered for this present year (till that point) created gains. These numbers are without a doubt unnerving for a field that has been engaging to fully recover.